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We are always looking for simpler ways to grow without burning out. If PayPal can provide a low-lift, fast-impact advertising alternative that integrates with the financial tools we already use, it could be a powerful addition to the indie author toolkit.

For aspiring authors, getting "the call" from a literary agent is a monumental step. But how do you know what to ask?

Some days, finding time to write feels like trying to catch a firefly with oven mitts on—possible, technically, but wow does it take effort.

The good news? Most website mistakes are fixable—and once you know what to look for, you'll never make the same mistakes again.

I read so many manuscripts now that I can spot craft issues almost instinctively. I know why something works and why it doesn’t. I’ve seen enough submissions to recognize pacing problems, exposition dumps, and arcs that fizzle out instead of soaring. That level of immersion in story after story makes you sharper. It’s like living in a constant writing masterclass. But—and this is a big but—knowing something isn’t the same as being able to execute it. Because in writing

The moment a publishing offer comes in, everything feels electric. An author’s phone buzzes. I get to deliver the news: You did it. Someone wants your book. And for a minute, it feels like we both won the lottery. But almost immediately, the practical part of my brain kicks in. Because an offer is just the beginning. Now it’s time to talk numbers, rights, clauses, and timelines—the unglamorous fine print that shapes the author’s future.

Below are four excellent writing conferences (including ours!) that picture book writers should keep on their radar—plus two kidlit writing organizations that are just too good to leave out. 👇

In publishing, the wins aren’t just the book deals or the big moments. They’re the people who hand you coffee. The mentors who show up. The gut feelings that say, this one’s worth it.

As someone who designs websites for authors, I've seen firsthand how a strategically built website can become a review-generating machine.

Deciding whether your children's book manuscript is truly ready to send out into the world—whether that means querying agents or diving into self-publishing—can feel both thrilling and terrifying. And honestly? Only you can make that call. But as an agented and traditionally published picture book author who’s helped hundreds of writers navigate both traditional and indie publishing paths, I’ve found that most successful authors can answer YES to the following question

If you’ve spent any time in the world of children’s publishing, you’ve probably heard the name Kirkus whispered in hushed tones—like a legendary creature that can make or break a book. For over 90 years, Kirkus has been one of the most respected names in book reviews. Their critiques are known for being sharp, honest, and sometimes… well, a little intimidating. For self-published authors, the big question is: 👉 Should you pay for a Kirkus Review?

Children’s book authors, on the other hand, face a unique challenge.  We must write a book that appeals to two very different audiences: 4-8 year olds with limited vocabularies and the attention span of a fruit fly; and adults who may have already maxed out on the amount of Bluey they can handle in one day.